researching and telling the history of the built environment

Schlagwort: Architecture (Seite 1 von 2)

»Das Regionale konstruieren. Formen und Funktionen von Heimatschutz-, Reform- und vernakulärer Architektur« (Vienna, November 26, 2021)

Interdisciplinary workshop by the Austrian Academy of Sciences and the Research Unit Art History, Technical University Vienna

In den letzten Jahren fand eine intensive Beschäftigung mit dem Phänomen des Regionalen (der Heimatschutz- bzw. Reformarchitektur, der Volkskunst, der Folklore, des Vernakulären, des „Elementaren“, des „Authentischen“ etc.) von Seiten der Kunstgeschichte und Architekturwissenschaft statt. Mittlerweile verfügen wir über eine breite Wissensbasis zu den ideologischen und historischen Kontexten dieser heterogenen, aber eng miteinander verflochtenen Strömungen, ihren Akteuren und Prozessen in der Schweiz, Deutschland, Österreich, Großbritannien und den skandinavischen Ländern. Dennoch sind weiterhin eine Reihe von offenen Fragen zu konstatieren, die insbesondere die sozio-ökonomischen, die medialen und architekturtheoretischen sowie die politisch-administrativen Facetten der regional-gebundenen Architektur um 1900 betreffen.

Der Workshop, eine Kooperation von ÖAW/IHB und dem Forschungsbereich Kunstgeschichte der TU Wien, nimmt dies zum Anlass und setzt sich anhand spezifischer Fallbeispiele mit der Bedeutung des Regional-Begriffs in der Architektur in der zweiten Hälfte des 19. und des frühen 20. Jahrhunderts auseinander: Tourismus- und Gesundheitsunternehmungen (Kurorte und Sommerfrischen), Staatsverwaltung (Arbeiter*innensiedlungen, Flüchtlingslager) und Architekturtheorie (Kleinwohnhaus). Als inhaltliche Klammern werden zum einen der Bezug auf die Region bzw. auf das regionale Bauen als auch die zugrunde liegenden, konstruierten Vorstellungen von „Land“ und „Landschaft“ dienen. Die architektonischen und städtebaulichen Überlegungen, die zur medialen Verbreitung von bestimmten Vorstellungen von Region / regionalem Bauen führten, werden ebenso eine Rolle spielen. Schließlich werden die Differenzen zwischen der erfundenen / imaginierten und der tatsächlich vernakulären Architektur thematisiert, denn der ostentative Verweis auf die „lokale Baugeschichte“ war allen genannten Bereichen immanent.

In der Zeit der Entwicklung von Nationalstaatsideen und konkurrierenden Zentralstaatsgedanken sowie der Entdeckung des „Lands“ (oder der Landschaft) im Interesse des einsetzenden Tourismus, war der Bezug auf die Region vielfältig konnotiert und die Architektur in ein dichtes semantisches Netz eingespannt. Es gilt, diese Bedeutungsebenen kritisch zu hinterfragen und die Funktion des Regionalen in den beispielhaft gewählten Kontexten zu untersuchen.

Concept: Dr. Richard Kurdiovsky (ÖAW), Dr. Oliver Sukrow (TU Wien)

Link: https://www.oeaw.ac.at/detail/news/das-regionale-konstruieren

DAM ARCHITECTURAL BOOK AWARD 2021 – THE PRIZE WINNERS HAVE BEEN DETERMINED!

„Haus der Kultur Gera“ (Leipzig: sphere publishers, 2021) is among the winners!

As a collaborative product of research, design, photographing, and publishing, the book, edited by Claudia Tittel (Gera) celebrates the 40th anniversary of the opening of the „Haus der Kultur“ in Gera, Germany. Designed by copa ipa (Weimar/Leipzig) and published by Christoph Liepach (sphere publishers / Leipzig), the book is a manifestation of the visual, aesthetic, and historical qualities of this building in the heart of Gera.

We are happy to announce that the „Deutsches Architekturmuseum“ in Frankfurt am Main has honored the book with the „International DAM Architectural Book Award“ in 2021.

„The Frankfurt Book Fair and the Deutsches Architekturmuseum (DAM) are presenting the jointly initiated International DAM Architectural Book Award for the thirteenth time. The DAM would like to thank the Society of Friends of the DAM for its generous support of the prize.

The ten prize winners this year are:

Konstruktion / Manual / Birkhäuser Verlag
Apartment Blossom/ Donghua University Press
Antarctic Resolution/ Lars Müller Publishers
Raamwerk In Practice: Lichtervelde Youth Centre / MER B&L
Avant-Garde as a Method / Vkhutemas and the Pedagogy of Space, 1920 – 1930/ Park Books
Elemente einer baukulturellen Allgemeinbildung / Park Books
Milk.Honey / Animal Stories in Imagined Landscapes/ Park Books
Napoli Super Modern/ Park Books
HdK – Haus der Kultur Gera / sphere publishers
Anime Architecture: Imagined Worlds and Endless Megacities/ Thames & Hudson

The prize, unique in its kind and now highly respected, honours the best architecture books of a year. 94 architecture and art book publishers worldwide have responded to the joint call. A specialist jury of external experts and representatives of the DAM selected the ten best architecture books of the year from 235 entries according to criteria such as design, content concept, quality of materials and workmanship, degree of innovation and topicality.

The jury meeting took place on 1 September 2021 at the Deutsches Architekturmuseum (DAM). The winners will be announced at the hybrid award ceremony on 20 October 2021.

The external jury of experts this year included:
Stefan Weil (graphic designer), Kerstin Schultz (architect and member of the Friends of DAM e.V.), Karin Hartmann (architect and journalist) and Moritz Bernoully (architect and photographer).

The internal jurors were:
Andrea Jürges (Deputy Director of DAM), Oliver Elser (Curator DAM), Rebekka Kremershof (Head of Architecture Education DAM).

Seminar „Die Architektur der DDR: Typologien, Ideologien, Utopien“ (Heidelberg, Nov. 2020-Jan. 2021)

Online guest seminar at the Institute for European Art History, University of Heidelberg

In the 30. year of the German reunification, the architectonical remains of the GDR have officially become historical monuments of a closed era in accordance with the legal framework. Nevertheless, the discussions about the cultural value and the architectural-historical position of this episode in German history continue. Against the background of the excellent research situation, the seminar thematizes the architecture of the GDR in three interconnected steps: We will first deal with the most important building types of the centralized, standardized building industry – and the exceptions of the so-called „special buildings“. Second, we will deal with the ideological framework of architecture and urban planning in the GDR. Finally, thirdly, we will critically approach the utopias of GDR architecture in order to also ask about their current horizons of meaning.

The seminar establishes the connection between architecture and historical context by examining selected examples of building in the GDR. We will deal with important architects as well as the architectural features of building in the GDR. It will also be examined which societal and political and ideological framework conditions shaped building in the GDR and which current relevance the remains have.

»Designing Hygiea (Benjamin Ward Richardson, 1876) – Architecture, Urbanism, and the Sanitized City in 19th-century Central Europe« (Vienna, October 1, 2020)

Interdisciplinary workshop by the Austrian Academy of Sciences, ICOMOS Austria, and the Austrian Federal Ministry for Arts, Culture, the Civil Service and Sport

In the course of Vienna‘s emergence as a modern metropolis in the second half of the 19th century, critical questions regarding the health and hygienic living conditions of its inhabitants became more widely known to experts as well as to a broader public. Influenced by progress in the natural sciences and medicine, and particularly by the “Viennese Medical School”, the fields of medicine, architecture and urban planning intersected at this time in Vienna. Up until now, the main focus of work in the history of science has been on the training and development of expert medical knowledge after the Josephinian reforms of the Enlightenment, and references to architecture and urban planning have been infrequent. On the other hand, work in the history of 19th century architecture only rarely addresses medical issues, or the influence of medical developments on architectural design. Nevertheless, the problem of “healthy” or “hygienic” space was linked to urban planning and architectural considerations at an early point. For example, the doctor Carl Böhm developed a remarkable ventilation system for the Court Opera, whose principle was adopted by many public buildings on the Ringstrasse. Similarly, issues of health and hygiene influenced the building regulations of 1868, as well as Eugen Faßbender‘s regulatory plan for Vienna from 1893. While in Vienna living in the suburbs or the countryside during the summer had been firmly established since the 18th century, the subsequent expansion of the city due to industrialisation and population growth led to new forms of health oriented accommodation outside the city (the “Sommerfrische” [summer resort]). Certain regions such as the Semmering or the Wienerwald were structured and architecturally designed as “health landscapes,” and consumed as such through the media. On the one hand, these places marked a move outward from the city, but on the other they were closely interwoven with it (eg., the users, architects and operators of the sanatoriums in Purkersdorf or Pernitz [Sanatorium Wienerwald]), and so also had an inward effect on Viennese discussions about health and hygiene. There was then, a reciprocal relationship between the urban representation and use of architecture, and ideas of hygiene that emerged in the countryside around Vienna. In addition, these health spots in and around Vienna utilised various architectural modes depending on their target audience, and were employed in different ways depending on the social class of their guests.

In addition to discussing concrete architectural manifestations of ideas about hygiene such as sanatoriums, hospital buildings, mental asylums, baths, etc., we will also discuss the spatial and regional context in and around Vienna in which a topography of health developed (river baths in the Danube wetlands, Kursalon on the Glacis, hospital facilities on the slopes of the Vienna Woods, etc.). Since these places have often been transformed and are no longer perceptible, the workshop will also contribute to an archaeology of ideas of health and hygiene in 19th century Vienna. The workshop will discuss both the complex relationship between the built environment and ideas of hygiene in the second half of the 19th century and its methodology. While Vienna and Austria are the focus of the workshop, they will be contextualized by international perspectives on other cities.

Concept: Dr. Richard Kurdiovsky (ÖAW), Dr. Oliver Sukrow (TU Wien)

Link: https://www.oeaw.ac.at/fileadmin/Institute/INZ/img/forschung/Kunstgeschichte/Designing_Hygiea_eng.pdf

Botstiber Institute for Austrian-American Studies Research Grant

»Alternative Spaces of Innovation. A Comparative Study of 19th-Century Spa Towns as Regional Innovation Clusters«

I received a BIAAS grant for my Postdoc research project “Alternative Spaces of Innovation. A Comparative Study of 19th-Century Spa Towns as Regional Innovation Clusters.”

This interdisciplinary project aims from a historical-comparative perspective at exploring how 19th-century spa towns in Austria and California became regional innovation clusters. The project argues that innovation in 19th-century Austria and California also occurred in ‘alternative’ spaces such as spa towns.

I am particularly interested in exploring which architectural and cultural strategies were employed in order to re-design the natural conditions in and around 19th-century spa towns as landscapes of health in which new relationships between humans, landscapes, and cure were architecturally framed.

Project duration: September 2020–December 2021

https://botstiberbiaas.org/avada_portfolio/oliver-sukrow-alternative-spaces-of-innovation-a-comparative-study-of-19th-century-spa-towns-as-regional-innovation-clusters/

Emil Ritter von Förster (1838–1909), Entwurf »Casinopark Marienbad«, 1875, in: Allgemeine Bauzeitung, 40.1875, S. 75.

Wüstenrot Stiftung Fellowship zur Erforschung der architekturbezogenen Kunst in der DDR

»Anthologie zur architekturbezogenen Kunst in der DDR«

Die architekturbezogene Kunst der DDR ist in den letzten Jahren vermehrt in den Fokus der Architekturgeschichte und Denkmalpflege geraten. Dennoch fehlte bislang eine quellenbasierte Arbeit, welche die wichtigsten Primärtexte erschließt und die Grundlage für weitere Forschungen auf diesem Gebiet schafft. Dieses Desiderat soll mit dem von der Wüstenrot Stiftung ermöglichten Vorhaben nun behoben werden. Es reiht sich in die zuletzt intensivierten Projekte der Wüstenrot Stiftung zur Erhaltung und Vermittlung der architekturbezogenen Kunst in der DDR ein. Die geplante, zweisprachige Publikation (deutsch / englisch) soll ausgewählte und redigierte Quellentexte aus den Jahren 1945-1990 zur architekturbezogenen Kunst in der DDR in ihren internationalen Verflechtungen der Forschung zugänglich machen und dadurch eine historisch-kritische Grundlage für die wissenschaftliche Beschäftigung mit dem Thema bieten. Auf Basis von Quellenbeständen in unterschiedlichen Archiven – u.a. Berlin, Dresden, Weimar und Los Angeles – werden Fachartikel, (unveröffentlichte) Diskussionsbeiträge, Vorträge oder Ego-Dokumente von Künstler*innen der Wandbildbewegung in der DDR erschlossen und herausgegeben. Es wird mit einer Gesamtzahl von ca. 40 Texten gerechnet, welche vollständig transkribiert und jeweils mit kurzen Begleittexten ergänzt werden. Ein einführender Aufsatz steht am Beginn der Publikation und wird den Forschungsstand und den Kontext der Quellenedition umreißen.

Projektlaufzeit: Juli 2020 – Juli 2022

Das Anthologieprojekt ist angedockt an Forschungen am Institut für Kunstgeschichte und Archäologien Europas, Neueste Kunstgeschichte und Kunsttheorie der Martin-Luther-Universität, Halle-Wittenberg (Prof. Dr. Olaf Peters).

„Kultur- und Kongresszentrum Gera“ feiert 40-jähriges Jubiläum

Publikation in Vorbereitung

Am 02. Oktober 1981 wurde das „Haus der Kultur“ (HdK) – heute „Kultur- und Kongresszentrum Gera“ (KuK) – in der ostthüringischen Bezirkshauptstadt der nach dreijähriger Bauzeit der Öffentlichkeit übergeben. Der Entwurf von Manfred Metzner und Günther Ignaczak hatte sich in einem langwierigen Wettbewerb durchgesetzt. 2021 jährt sich die Eröffnung nun bereits zum 40. Mal, weswegen die Stadt Gera eine Festschrift zur Geschichte, Gestaltung und Nutzung des Hauses vorbereitet.

Ich freue mich sehr, für das Kulturamt der Stadt Gera einen Text zur architekturgeschichtlichen Einordnung dieses besonderen Kulturpalastes beitragen zu dürfen!

»CALIFORNIA DREAMING: RICHARD NEUTRA AND THE SIGNIFICANCE OF CALIFORNIAN MODERNITY« (Vienna, April 1-3, 2020)

Cancelled because of the Corona-Crisis!

Movie Screening and Conference honors Viennese born Architect and Thinker

Richard Neutra, Kaufmann House, Palm Springs, CA, 1946 (c) Oliver Sukrow, 2019.

California’s culture and lifestyle are often thought to epitomize beauty, optimism, technological innovation, and future potentiality. In this conference, we will explore the cultural history of California, particularly its Viennese influences, through the example of the émigré architect Richard Neutra (1892–1970), who was crucial in the development of ‘Californian Modernity.’

The point of departure for this conference is Richard Neutra’s architectural practice, which found its ideal environment in Los Angeles. Neutra designed beautiful minimalistic houses that connected inside and outside and promoted the physical and mental health of their inhabitants. An international group of speakers will analyze the diverse and entangled sources of Neutra’s work and thought, including his interest in psychoanalysis and his concept of biorealism. We will discuss the links between the ideas of the 1920s avant-garde in Europe and the hippie avant-garde of the 1960s and 1970s in California. The conference thus aims to explore the global history of what might be called Californian Modernity—which continues to exert a profound influence on contemporary culture—and to deepen our understanding of the complex relationships between architecture and landscape, health and space, and of the cultural entanglements between Europe and the United States in the 20th and 21st centuries. The conference is the result of a collaboration between the IFK | University of Art and Design Linz, the Wien Museum, the Research Unit Art History at the Institute of Art, Building Archaeology and Restoration at TU Wien, and the Filmarchiv Austria.

April 1, 2020: Films related to Neutra’s work will be screened at METRO Kinokulturhaus ( https://www.filmarchiv.at/en/program/special/richard-neutra/).

CONCEPT: Andreas Nierhaus (Wien Museum), Johanna Richter (IFK), Oliver Sukrow (TU Wien)

PARTICIPANTS: Klaus Benesch (Munich), Matti Bunzl (Vienna), Lyra Kilston (L.A.), Barbara Lamprecht (Pasadena), PJ Letofsky (L.A.), Joaquin Medina Warmburg (Karlsruhe), Monika Platzer (Vienna), Harriet Roth (Vienna), Elana Shapira (Vienna), Tobias Zervosen (Munich).

VENUE: METRO KINO, IFK, WIEN MUSEUM MUSA

Source: http://www.ifk.ac.at/index.php/kalender-detail/california-dreaming-richard-neutra-and-the-significance-of-californian-modernity.html

Richard Neutra: George E. Wise House, Los Angeles, 1957. Foto: Julius Shulman © J. Paul Getty Trust. Getty Research Institute, Los Angeles (2004.R.10).

Seminar »Landscapes of Health in Vienna around 1900. Architectures and Spaces of Convalescence«

Joint Seminar of TU Wien and BOKU Wien focusses on the production of »healthy spaces«

Update July 2020: We published a booklet on the seminar’s topics (https://kunstgeschichte.tuwien.ac.at/wp-content/uploads/Wiener-Gesundheitslandschaften-und-Architekturen-der-Genesung-um-1900.pdf)!

Update March 2020: We moved the whole seminar into the digital space!

In the summer term 2020, this joint seminar is devoted to Viennese landscapes of health around 1900. Through the study of prominent examples of architecture and landscape design for recovery, we explore a specific look at the history of architecture in Vienna. We examine the development of different health and architecture concepts that were always closely interwoven with social changes and at the same time reflect technological and scientific progress. We aim for an overview of the architectural and historical development of Viennese health architecture and landscape design around 1900. By analyzing selected buildings, participants should learn to research building history, to grasp the typology of the respective building, to think about materials, construction, and equipment and to describe it with the correct architectonic terms. The history of the healthy landscape is revealed through the history of the hospital as a building type and through landscape design, which is why both will be contextualized and studied.

A collaboration of the Institute for Landscape Architecture (ILA) of the University of Natural Resources and Life Sciences, Vienna, and the Research Unit Art History of the Technical University Vienna.

Staff:

Dipl.-Ing. Dr.nat.techn. Ulrike Krippner

Maria Harmann, BSc.

Univ.Ass. Dr.phil. Oliver Sukrow, M.A.

Radio Podcast with Michael Boyle

»How Art History Helps Us Solve the Linear Conundrum«

I was in the studio of Radio Orange in Vienna today speaking with Michael Boyle – an innovator, coach, founder – who produces the broadcast Radio Tipping Point. We spoke among many other things also about the role of architectural history, teaching architecture, past and present futures. Thanks, Mike, for having me!

Here’s the link: https://o94.at/programm/sendung/id/1721038

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